Returning to the LA Philharmonic making a role debut as Wellgunde in Das Rheingold.

Gustavo Dudamel leads a landmark production of Wagner’s tale featuring gods, gold, and grandiose music.

Returning to the LA Philharmonic making a role debut as Wellgunde in Das Rheingold.

Gustavo Dudamel leads a landmark production of Wagner’s tale featuring gods, gold, and grandiose music.

Returning to the LA Philharmonic making a role debut as Wellgunde in Das Rheingold.

Gustavo Dudamel leads a landmark production of Wagner’s tale featuring gods, gold, and grandiose music.

Joining the roster of Lyric Opera of Chicago covering Senta in Die fliegende Holländer.

The first opera that revealed Wagner’s genius, The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses. Leading an outstanding cast are Tomasz Konieczny (previously the title role in Lyric’s spellbinding Wozzeck) and Tamara Wilson (the radiant heroine of Il trovatore and Ernani), in Christopher Alden’s electrifying production, with Music Director Enrique Mazzola conducting his first Wagner at Lyric.

Joining the roster of Lyric Opera of Chicago covering Senta in Die fliegende Holländer.

The first opera that revealed Wagner’s genius, The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses. Leading an outstanding cast are Tomasz Konieczny (previously the title role in Lyric’s spellbinding Wozzeck) and Tamara Wilson (the radiant heroine of Il trovatore and Ernani), in Christopher Alden’s electrifying production, with Music Director Enrique Mazzola conducting his first Wagner at Lyric.

Joining the roster of Lyric Opera of Chicago covering Senta in Die fliegende Holländer.

The first opera that revealed Wagner’s genius, The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses. Leading an outstanding cast are Tomasz Konieczny (previously the title role in Lyric’s spellbinding Wozzeck) and Tamara Wilson (the radiant heroine of Il trovatore and Ernani), in Christopher Alden’s electrifying production, with Music Director Enrique Mazzola conducting his first Wagner at Lyric.

Joining the roster of Lyric Opera of Chicago covering Senta in Die fliegende Holländer.

The first opera that revealed Wagner’s genius, The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses. Leading an outstanding cast are Tomasz Konieczny (previously the title role in Lyric’s spellbinding Wozzeck) and Tamara Wilson (the radiant heroine of Il trovatore and Ernani), in Christopher Alden’s electrifying production, with Music Director Enrique Mazzola conducting his first Wagner at Lyric.

Joining the roster of Lyric Opera of Chicago covering Senta in Die fliegende Holländer.

The first opera that revealed Wagner’s genius, The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses. Leading an outstanding cast are Tomasz Konieczny (previously the title role in Lyric’s spellbinding Wozzeck) and Tamara Wilson (the radiant heroine of Il trovatore and Ernani), in Christopher Alden’s electrifying production, with Music Director Enrique Mazzola conducting his first Wagner at Lyric.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

Tragedy follows Elektra as she plots revenge against her father's murderer—her own mother—in Richard Strauss’s epic opera inspired by the Greek tale.

The 2022/23 Season opens with a thrilling continuation of Lyric's acclaimed early Verdi series. Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she's pursued by two other men — her uncle, Silva, and the King of Spain, Carlo. This "love quadrangle" inspires grand-scale arias and ensembles, bursting with the unique energy and drive that were Verdi's own. Music Director Enrique Mazzola leads a quartet of world-renowned Verdians in Lyric's sumptuously beautiful production that is designed to bring you an exhilarating operatic experience.

The 2022/23 Season opens with a thrilling continuation of Lyric's acclaimed early Verdi series. Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she's pursued by two other men — her uncle, Silva, and the King of Spain, Carlo. This "love quadrangle" inspires grand-scale arias and ensembles, bursting with the unique energy and drive that were Verdi's own. Music Director Enrique Mazzola leads a quartet of world-renowned Verdians in Lyric's sumptuously beautiful production that is designed to bring you an exhilarating operatic experience.

The 2022/23 Season opens with a thrilling continuation of Lyric's acclaimed early Verdi series. Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she's pursued by two other men — her uncle, Silva, and the King of Spain, Carlo. This "love quadrangle" inspires grand-scale arias and ensembles, bursting with the unique energy and drive that were Verdi's own. Music Director Enrique Mazzola leads a quartet of world-renowned Verdians in Lyric's sumptuously beautiful production that is designed to bring you an exhilarating operatic experience.

The 2022/23 Season opens with a thrilling continuation of Lyric's acclaimed early Verdi series. Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she's pursued by two other men — her uncle, Silva, and the King of Spain, Carlo. This "love quadrangle" inspires grand-scale arias and ensembles, bursting with the unique energy and drive that were Verdi's own. Music Director Enrique Mazzola leads a quartet of world-renowned Verdians in Lyric's sumptuously beautiful production that is designed to bring you an exhilarating operatic experience.

The 2022/23 Season opens with a thrilling continuation of Lyric's acclaimed early Verdi series. Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she's pursued by two other men — her uncle, Silva, and the King of Spain, Carlo. This "love quadrangle" inspires grand-scale arias and ensembles, bursting with the unique energy and drive that were Verdi's own. Music Director Enrique Mazzola leads a quartet of world-renowned Verdians in Lyric's sumptuously beautiful production that is designed to bring you an exhilarating operatic experience.

Dudamel collaborates with celebrated director Yuval Sharon and an all-star cast to present an extraordinary evening of Wagner, beginning with the famous “Ride of the Valkyries” and ending with the sublime “Magic Fire Music.”

Widely considered the first great German romantic opera, Der Freischütz (The Marksman) is an irresistible mix of folklore, romance, and the ageless struggle between good and evil. A young forester, striving to prove himself worthy of winning the hand of his beloved through a shooting contest, makes a deal with the devil. Driven by love, and the misguided need for victory, the devil is ultimately defeated and forgiveness wins the day in Wolf Trap Opera’s premiere of this picturesque tale and lush, dramatic score.